by Daryl L.L. Houston
471: This one’s not a dream proper, but it’s sure dream-like, and it seems to point back to his dreams of her in a domestic setting described on page 422. Juan de Dios Martinez daydreams of Elvira Campos in her apartment. Sometimes she’s naked in bed leaning toward him, and other times she’s on the terrace, surrounded by metallic, phallic telescopes. In these latter imaginings, she’s taking notes, and when he comes up behind her and looks at her notes, he sees only phone numbers.
488: Haas dreams of walking the corridors of the prison with eyes as keen as a hawk’s. The corridors are described as a labyrinth of snores and nightmares. He’s aware of what’s happening in each cell. Suddenly he finds himself at the edge of an abyss. He lifts his arms and tries to say something to a legion of tiny Klaus Haases, but he has the impression that someone has sewn his lips shut. He feels something alien in his mouth and rips out the threads to find that the foreign body was a penis (not his own). Then (in the dream) he curls up and falls asleep on the edge of the abyss. More dreams usually followed.
490: Not a dream here, but mention of one, as Haas tries to describe how his fellow prisoners know he’s innocent: “It’s like a noise you hear in a dream. The dream, like everything dreamed in enclosed spaces, is contagious. Suddenly someone dreams it and after a while half the prisoners dream it. But the noise you hear isn’t part of the dream, it’s real. The noise belongs to a separate order of things. Do you understand? First someone and then everyone hears a noise in a dream, but the noise is from real life, not the dream.”
506: Upon receiving a call from Reinaldo, Florita claims to have been dreaming about him. In the dream, she sees a meteor shower and a boy who looks like Reinaldo watching the falling stars. I’m reminded here of Seaman’s assertion on 252 that stars are semblances in the way that dreams are semblances. Given certain other parallels between Seaman and Florita, the echo can hardly be accidental.
